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* INTRODUCTION
* PAINTING
*
SCULPTURE
* FILM WORK
PHILOSOPHICAL
CARTOONS
CLIMATE CHANGE
CARTOONS
TOTEM TOONS
ENCYCLOPEDIC
CARTOONS
LETTERS + WORDS
GRAMMAR
NON SENSE + NON
FICTIONAL
SUBURBAN
PUDDLES + PONDS
MOUNTAINS +
VALLEYS
PARADISE GARDENS +
SPA
FOOD CHAIN
NIGHTMARE
MONSTERS
ROBOTS AND
MACHINES
CITIES + FACTORIES
TIME + SPACE
ROOMS
DARK PLACES
GAMBLING
EXPECTATIONS
OPERA
SCHAUKASTEN
BILDERBOGEN
PATTERNS
*
ARTICLES
*
EXHIBITIONS
*
BIOGRAPHY
* NEWS
* CONTACT
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THE GRAMMAR SERIES/GANGLAND
multi channel video
In human evolution language comes into being for
making the other understand oneīs own position.
Later humans developed tought pattern called
ideologies.
Ideologies like the fascistīs or communistīs
thought patterns, even some religious sectarianism
turns grammar and words into a killing tool by
deviding humans into followers and enemys. Crucial
to ideologistīs abuse of grammar is turning itīs
communication function into a order message
system. The ideology dominated communication is a
one way communication and language is used to mark
the orders which are essential to the progress of
revolution, riot and mass killing justified by the
thought pattern of the "righteous few". This is
the point where ideologistīs abuse of words meets
with that of organized crime.
In nowadays language is not only the language of
words but the language of images.
There is no difference between words and images,
the grammar of language and the grammar of
photography or movie.
Words tend to be more abstract. Images seem to
tell us that "we get what we buy".
But this is not true. Images are as highly
manipulating as words. They follow grammar rules
as words do and the rules behind them have a great
impact on what we think, we see in them. And "the
grammar of images" allows an even deeper impact of
behind-the-image thought pattern on the viewerīs
mind.
THE GRAMMAR series/GANGLAND: VERB, 2013/2014,
43sec excerpt
shown at:
2017, WORD PLAY, Forest Gate Arts, London UK
2015, ART VIDEO ISRAEL, 1st edition, Independent
Square, Netanya, Israel
THE GRAMMAR series/GANGLAND:
SUBJUNCTIVE/dreAMLAND, 2013/2014, 50sec excerpt
shown at:
2017, WORD PLAY EXHIBTION, NEWHAM WORD FESTIVAL,
Forest Gate Arts, London, UK
2016, GAPE 09, Plateau Gallery, Berlin, Germany
2014, TIME IS LOVE.7 (SHOW 5), Photon Gallery,
Ljubljana, Slovenia
2014, TIME IS LOVE.7 (SHOW 4), Vovatanya Gallery,
Kharkiv, Ukraine
2014, TIME IS LOVE.7 (SHOW 3), Pink Gallery,
Seoul, South Korea
2014, TIME IS LOVE.7 (SHOW 2), Galerie Talmart,
Paris, France
THE GRAMMAR series/GANGLAND: ADVERB: NOW,
2013/2014, 20sec excerpt
shown at:
2017, WORD PLAY, Forest Gate Arts, London, UK
2016, GAPE 09, Plateau Gallery, Berlin, Germany
other works from THE GRAMMAR series/GANGLAND shown
at:
2015, VIDEOFORMES 2015, Festival international
dīarts numerique, Clermond-Ferrand, France
2014, MADATAC 6 -Contemporary Festival of New
Media Arts & Advanced Audio Visual
Technologies, Madrid, Spain
2014, ARCANUM 2014 FESTIVAL, DīClinic Studios,
Lendaya, Slovenia
2014, ARCANUM 2014 FESTIVAL, Festival of Colors,
Zalaegerszeg, Hungary
subject as well featuring publication:
Interview with Joas Nebe on his OPERA serial
conducted by curators JOSH RYDER and BARBARA
SCOTT, ARTiculAction Contemporary Art Review,
anniversary edition, may 2016, link
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